Tony Rangel is the rhythmic foundation of Wither, known for his emotionally driven playing and deliberate, purpose-focused approach behind the kit. His love for metal was ignited by two genre-defining albums: Somewhere in Time by Iron Maiden and Operation: Mindcrime by Queensrÿche — both of which opened the door to music that was both powerful and thought-provoking.

Tony draws from a wide range of influences — from the progressive precision of Rush and Queensrÿche to the improvisational soul of jazz and even elements of pop. He’s not limited by genre lines; for him, it’s about feel and expression.  “I tend to compose more on what moves me emotionally, rather than cerebrally,” he says. His drumming is crafted to elevate the message of each song, not compete with it. “Every song has a message to convey. My drum composition should facilitate the conveyance of that message.”

Tony’s setup includes gear from Pearl, Zildjian, Gibraltar, and Tama — and in moments of experimentation, he’s even pulled sound from random car parts to add unique textures.

When it comes to preparing for a performance or recording session, Tony has a grounded mindset: hydrate, don’t overexert, stay present, and let go of mistakes. “Practice is not to make perfect — it’s to learn how to cope with or cover up mistakes.”

A lifelong Escondido native, Tony got into drumming for a reason as honest as it is relatable: “Someone told me I couldn’t do it.” That spark turned into a deep, lasting passion. Offstage, he brings the same level of dedication to his professional life, working as a Grounds Services Supervisor, arborist, and plant conservationist.

Playing in Wither is more than just music for Tony — it’s connection. “It’s fun. It’s my main musical release. And I love the camaraderie.”