As the rhythmic foundation of Wither, Tony Rangel is defined by a style that is as deliberate as it is emotionally driven. His introduction to heavy music came via the dual masterpieces of Iron Maiden’s Somewhere in Time and Queensrÿche’s Operation: Mindcrime—albums that taught him how drums could be both a powerhouse and a storytelling tool.

Emotional Architecture

Tony’s drumming philosophy favors the heart over the head. While his influences range from the progressive precision of Rush to the improvisational soul of jazz, he resists the urge to over-complicate for the sake of technique. For Tony, the kit is an instrument of conveyance.

“I tend to compose more on what moves me emotionally, rather than cerebrally. Every song has a message, and my composition should facilitate that message.”

The Toolkit: Precision & Found Objects

Tony relies on a powerhouse setup of Pearl, Zildjian, and Tama gear to deliver Wither’s signature weight. However, he isn't afraid to step outside the traditional drum shop for the right texture—occasionally incorporating salvaged car parts into his recordings to add unique, industrial "clank" and grit to the band’s atmosphere.

The Arborist’s Perspective

A lifelong Escondido native, Tony’s path to the drums began with a classic act of defiance: someone told him he couldn’t do it. That persistence has carried over into a career defined by growth and preservation. When he isn't behind the kit, Tony works as a Grounds Services Supervisor, arborist, and plant conservationist. This deep connection to the natural world provides a grounded counterbalance to the dark, expansive intensity of the stage.

The Art of the Mistake

Tony’s approach to performance is refreshingly honest. He views the stage as a place to stay present and fluid, rather than chasing an impossible standard of perfection.

“Practice is not to make perfect—it’s to learn how to cope with or cover up mistakes.”

Camaraderie & Connection

For Tony, the core of Wither is the brotherhood. It is his primary creative release and a source of deep camaraderie. He views every beat as a way to strengthen the bond between the five voices on stage and the audience in front of them.